Architecture and Decoration
The church proper, which has never been studied systematically, has a cross-in-square (or quincunx) plan, with each side nine meters long. Together with the Eski Imaret Mosque, provides an example of the Komnenian style in Constantinople. Its masonry consists of bricks, mounted adopting the technique of the recessed brick, typical of the Byzantine architecture of the middle period. In this technique, alternate courses of brick are mounted behind the line of the wall, and are plunged into a mortar bed. Due to that, the thickness of the mortar layers is about three times greater than that of the brick layers.
The building has blind arcades, and the apse is interrupted by a triple lancet window with niches over it. The light penetrates into the cross arms through triple arcades. The exterior of the main church has occasional decorative motifs, such as snake patterns.
Besides this building, the complex contains also an exonarthex to the west, a portico (which joins a parekklesion with the bema) with columns and arches to the south, and finally a corridor to the north.
The exonarthex represents one of the most typical examples of Palaiologan architecture in Constantinople, along with the parekklesia of the Pammakaristos, the Chora Churches, and Fethiye Mosque. The date of its edification should be placed after those of the parekklesia of the Pammakaristos and Chora Churches. Its façade has two orders, both opened with arcades. On the lower order there are angular niches followed by triple arcades. The higher order is quite different from the lower, and has five semicircular blind arcades framing windows. The masonry is made of banded and colorful brickwork and stonework, especially visible on the north side. Overall, the execution is less refined than in the parekklesion of the Fethiye Mosque.
The exonarthex is surmounted by three domes. The lateral ones are of umbrella type, while the central one has ribs. The internal decoration of the exonarthex includes: columns, capitals and closure slabs which are all reused material from the Early Byzantine period. The three domes were all covered with mosaics. Those on the south and the central domes were cleaned in 1937 under the direction of M. I. Nomides and the Ministry of Mosques, but as of 2007 they have disappeared almost completely. They represent respectively the Virgin Theotokos surrounded by prophets and two imperial officers with prophets. The interior of the church proper, on the contrary, has never been de-plastered up to now.
Two fairly large underground cisterns placed to the S and W of the church hint to the existence of a monastery in the Byzantine age.
Read more about this topic: Vefa Kilise Mosque
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