Vasily Kalinnikov - Works

Works

Opera
  • In 1812 (В 1812 году) (1899–1900); incomplete
Orchestral
  • Fugue in D minor (1889)
  • Nymphs (Нимфы), Symphonic Picture after Ivan Turgenev (1889)
  • Serenade (Серенада) in G minor for string orchestra (1891)
  • Suite (Сюита) in B Minor (1891–1892)
  • Bylina (Былина: Эпическая поэма), Epic Poem (Overture) (c. 1892)
  • Overture in D minor (1894)
  • Symphony No. 1 in G minor (1894–1895)
  • Symphony No. 2 in A major (1895–1897)
  • Intermezzo No. 1 (Интермеццо № 1) in F♯ minor (1896)
  • Intermezzo No. 2 (Интермеццо № 2) in G major (1897)
  • The Cedar and the Palm (Кедр и пальма; Le Cèdre et le palmier), Symphonic Picture after Heinrich Heine (1897–1898)
  • Tsar Boris (Царь Борис), Incidental Music to the tragedy by Aleksey Konstantinovich Tolstoy (1898)
Piano
  • Moderato in E♭ minor
  • Polonaise on a Theme from Symphony No. 1 (Полонез на темы Симфонии № 1) in B♭ major for piano 4-hands
  • Scherzo in F major (1888–1889)
  • Chanson triste (Грустная песенка) in G minor (1892–1893)
  • Nocturne (Ноктюрн) in F♯ minor (1892–1893)
  • Élégie (Элегия) in B♭ minor (1894)
  • Minuet (Менуэт) in E major (1894)
  • Russian Intermezzo (Русское интермеццо) in F minor (1894)
  • Waltz (Вальс) in A major (1894)
Vocal
  • Come to Me (Приди ко мне) for soprano, alto, baritone and piano; words by Aleksey Koltsov
  • I Am Yours, My Darling (Я ли тебя, моя радость) for voice and piano; words by Heinrich Heine
  • I Would Like to Make My Songs into Wonderful Flowers (Я желал бы своей песней) for voice and piano; words by Heinrich Heine
  • On the Old Burial Mound (На старом кургане) for voice and piano (1887); words by Ivan Savvich Nikitin
  • On Your Lovely Little Shoulder Dear (На чудное плечико милой; An Liebchens schneeweisse Schulter) for voice and piano (1887); words by Heinrich Heine in translation by Vasily Pavlovich Fyodorov (1883–1942)
  • When Life Is Weighed Down with Suffering (Когда жизнь гнетут страданья и муки) for voice and piano (1887); words by Polivanov
  • 16 Musical Letters (16 Музыкальных писем) for voice and piano (1892–1899)
  • Bright Stars (Звёзды ясные) for voice and piano (1894); words by Konstantin Fofanov
  • The Gentle Stars Shone Down on Us (Нам звёзды кроткие мерцали) for voice and piano (1894); words by Aleksey Pleshcheyev
  • There Was an Old King (Был старый король) for voice and piano (1894); words by Heinrich Heine in translation by Aleksey Pleshcheyev
  • A Present for 1 January 1900 for voice and piano (1899)
  • Bells (Колокола) for voice and piano (1900); words by K. R.
  • Prayer (Молитва: "О Боже мой") for voice and piano (1900); words by Aleksey Pleshcheyev
  • Do Not Ask Why I Smile in Thought (Не спрашивай, зачем...) for voice and piano (1901); words by Alexander Pushkin
Choral
  • The Triumph of Lilliput for chorus and piano
  • Cherubic Hymn No. 1 (Херувимская песнь № 1) for chorus (1885)
  • Cherubic Hymn No. 2 (Херувимская песнь № 2) for chorus (1886)
  • The Mountain Tops (Горные вершины) for chorus (1887)
  • Christe Eleison for chorus (1889)
  • Lord, Our Lord for chorus (1889)
  • Ioann Damaskin (Иоанн Дамаскин), Cantata for soloists, chorus and orchestra (1890); words by Aleksey Konstantinovich Tolstoy
  • A Beautiful Girl Sits by the Sea (Баллада: Над морем красавица дева сидит), Ballade for female chorus and orchestra (1894); words by Mikhail Lermontov

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    ...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?
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    In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.
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