In Popular Culture
- Rosemary Sutcliff's 1976 historical novel Blood Feud depicts the formation of the Varangian Guard by Basil II, from the point of view of a half-Saxon orphan who journeyed to Constantinople via the Dnieper trading route.
- Henry Treece's Viking Trilogy which describe the adventures of Harald Sigurdson.
- Michael Ennis's Byzantium ISBN 978-0-330-31596-8 is a fictionalised version of the life of Harald Hardrada, much of which is spent in the Varangian Guard.
- The John Ringo Paladin of Shadows series, features a fictional, long forgotten enclave of the Varangian Guard in the mountains of Georgia.
- Turisas's second studio album The Varangian Way is a concept album that tells the story of a group of Scandinavians travelling the river routes of medieval Russia, through Ladoga, Novgorod and Kiev, down to the Byzantine Empire. Their third album, Stand Up and Fight, describes the history of the Varangian Guard's service to the Byzantine Empire.
- Bearded axe-wielding Easterlings known as Variags, inspired by the elite Viking mercenaries, are described in the fantasy novel Return of the King.
- In the PC game series Mount&Blade, the name and location of the Vaegirs is used to represent this group of people. The unique unit for this faction is called a Vaegir Guard.
- In the PC games Medieval: Total War and Medieval II: Total War the Varangian Guard is an axe-wielding elite infantry unit of the Byzantine Empire.
- Track 5 of Amon Amarth's seventh studio album Twilight of the Thunder God is titled "Varyags of Miklagaard."
- Varangian soldiers are a common enemy in the video game Assassin's Creed: Revelations.
Read more about this topic: Varangians
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“But popular rage,
Hysterica passio dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.”
—William Butler Yeats (18651939)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (18031882)
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