World War II, Pacific Theatre Operations
She was laid down on 9 March 1942, at Los Angeles Shipbuilding and Drydock Co., San Pedro, California, as Heavy-hull Repair Ship ARH-1, and launched on 3 April 1943. Jason was commissioned on 19 June 1944, with Capt. A.O.R. Bergesen in command.
After brief shakedown and fitting out, the repair ship arrived Pearl Harbor on 6 July 1944 on the first leg of her journey to the Pacific battle area. She arrived Purvis Bay in the Solomon Islands on 17 August to commence operations with Service Squadron 10. Two months later she arrived Ulithi, where she was to spend the greater part of the war, performing the task of keeping the U.S. Navy's ships at peak strength and operating efficiency.
For seven months at Ulithi, as American forces captured island after island from the Japanese, Jason, many times under enemy attack, repaired broken hulls, buckled decks and twisted bulkheads of every type of ship in the U.S. Navy. This floating shipyard turned seemingly hopeless battle wrecks into rejuvenated fighting ships again able to stand out gallantly in the final victorious months. As the action crept closer to Japan, Jason sailed for Leyte arriving there on 28 May 1945. She remained there for the duration of the war continuing to service ships of the Pacific Fleet.
Read more about this topic: USS Jason (AR-8)
Famous quotes containing the words world, war, pacific, theatre and/or operations:
“The only business of the head in the world is to bow a ceaseless obeisance to the heart.”
—William Butler Yeats (1865–1939)
“Since the war nothing is so really frightening not the dark not alone in a room or anything on a road or a dog or a moon but two things, yes, indigestion and high places they are frightening.”
—Gertrude Stein (1874–1946)
“It is easier to sail many thousand miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private sea, the Atlantic and Pacific Ocean of one’s being alone.... It is not worth the while to go round the world to count the cats in Zanzibar.”
—Henry David Thoreau (1817–1862)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)
“A sociosphere of contact, control, persuasion and dissuasion, of exhibitions of inhibitions in massive or homeopathic doses...: this is obscenity. All structures turned inside out and exhibited, all operations rendered visible. In America this goes all the way from the bewildering network of aerial telephone and electric wires ... to the concrete multiplication of all the bodily functions in the home, the litany of ingredients on the tiniest can of food, the exhibition of income or IQ.”
—Jean Baudrillard (b. 1929)