Other Science Fiction Television Genres
Two other subgenres were comic science fiction, and youth science fiction (children and teenagers). Examples of the former are My Favorite Martian, CBS, 1963–66; Mork & Mindy, ABC 1978–1982; ALF, NBC, 1986–90; and 3rd Rock from the Sun, NBC, 1996–2001. These shows weren’t true science fiction – the wonder of the previously unimagined was missing, as was the impact of science and technology on society. Science fiction was just a vehicle for laughs.
There are many examples of youth science fiction. They are characterized by relatively simple plots, and characters despite lacking production value. A British import using marionettes was Fireball XL5, initially released in 1962. Fireball XL5 was a rocket ship protecting Sector 25 of the Solar System. Also first released in 1962 was Space Angel, a cartoon. “Space Angel” was the code name for Scott McCloud, captain of a space ship. The Jetsons originally ran on ABC from 1962–63. George Jetson was the head of a family of the future. Usually, Jonny Quest, (1964–65), was a cartoon adventure, but with science fiction technology, e.g. a rocket ship and a hovercraft. Higher production values were quite evident in the Zenon trilogy released by the Disney Channel. Zenon: Girl of the 21st Century was released in 1999, Zenon: The Zequel was released in 2001, and Zenon: Z3 was released in 2004.
Read more about this topic: U.S. Television Science Fiction
Famous quotes containing the words science, fiction and/or television:
“I exulted like “a pagan suckled in a creed” that had never been worn at all, but was brand-new, and adequate to the occasion. I let science slide, and rejoiced in that light as if it had been a fellow creature. I saw that it was excellent, and was very glad to know that it was so cheap. A scientific explanation, as it is called, would have been altogether out of place there. That is for pale daylight.”
—Henry David Thoreau (1817–1862)
“The good ended happily, and the bad unhappily. That is what Fiction means.”
—Oscar Wilde (1854–1900)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)