Other Science Fiction Television Genres
Two other subgenres were comic science fiction, and youth science fiction (children and teenagers). Examples of the former are My Favorite Martian, CBS, 1963–66; Mork & Mindy, ABC 1978–1982; ALF, NBC, 1986–90; and 3rd Rock from the Sun, NBC, 1996–2001. These shows weren’t true science fiction – the wonder of the previously unimagined was missing, as was the impact of science and technology on society. Science fiction was just a vehicle for laughs.
There are many examples of youth science fiction. They are characterized by relatively simple plots, and characters despite lacking production value. A British import using marionettes was Fireball XL5, initially released in 1962. Fireball XL5 was a rocket ship protecting Sector 25 of the Solar System. Also first released in 1962 was Space Angel, a cartoon. “Space Angel” was the code name for Scott McCloud, captain of a space ship. The Jetsons originally ran on ABC from 1962–63. George Jetson was the head of a family of the future. Usually, Jonny Quest, (1964–65), was a cartoon adventure, but with science fiction technology, e.g. a rocket ship and a hovercraft. Higher production values were quite evident in the Zenon trilogy released by the Disney Channel. Zenon: Girl of the 21st Century was released in 1999, Zenon: The Zequel was released in 2001, and Zenon: Z3 was released in 2004.
Read more about this topic: U.S. Television Science Fiction
Famous quotes containing the words science, fiction and/or television:
“All science requires mathematics. The knowledge of mathematical things is almost innate in us.... This is the easiest of sciences, a fact which is obvious in that no one’s brain rejects it; for laymen and people who are utterly illiterate know how to count and reckon.”
—Roger Bacon (c. 1214–c. 1294)
“One can be absolutely truthful and sincere even though admittedly the most outrageous liar. Fiction and invention are of the very fabric of life.”
—Henry Miller (1891–1980)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)