Other Science Fiction Television Genres
Two other subgenres were comic science fiction, and youth science fiction (children and teenagers). Examples of the former are My Favorite Martian, CBS, 1963–66; Mork & Mindy, ABC 1978–1982; ALF, NBC, 1986–90; and 3rd Rock from the Sun, NBC, 1996–2001. These shows weren’t true science fiction – the wonder of the previously unimagined was missing, as was the impact of science and technology on society. Science fiction was just a vehicle for laughs.
There are many examples of youth science fiction. They are characterized by relatively simple plots, and characters despite lacking production value. A British import using marionettes was Fireball XL5, initially released in 1962. Fireball XL5 was a rocket ship protecting Sector 25 of the Solar System. Also first released in 1962 was Space Angel, a cartoon. “Space Angel” was the code name for Scott McCloud, captain of a space ship. The Jetsons originally ran on ABC from 1962–63. George Jetson was the head of a family of the future. Usually, Jonny Quest, (1964–65), was a cartoon adventure, but with science fiction technology, e.g. a rocket ship and a hovercraft. Higher production values were quite evident in the Zenon trilogy released by the Disney Channel. Zenon: Girl of the 21st Century was released in 1999, Zenon: The Zequel was released in 2001, and Zenon: Z3 was released in 2004.
Read more about this topic: U.S. Television Science Fiction
Famous quotes containing the words science, fiction and/or television:
“If science fiction is the mythology of modern technology, then its myth is tragic.”
—Ursula K. Le Guin (b. 1929)
“The purpose of a work of fiction is to appeal to the lingering after-effects in the readers mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”
—F. Scott Fitzgerald (18961940)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)