Emergence of Contemporary Urban Fiction
In the 1970s, during the culmination of the Black Power movement, a jailed Black man named Robert Beck took the pen name Iceberg Slim and wrote Pimp, a dark, gritty tale of life in the inner-city underworld. While the book contained elements of the Black Power agenda, it was most notable for its unsparing depiction of street life. Iceberg Slim wrote many other novels and attained an international following. Some of the terminology he used in his books crossed over into the lexicon of Black English. Other writers included Donald Goines and, notably, Claude Brown's Manchild in the Promised Land, which was published in 1965. Also published that year was The Autobiography of Malcolm X. Because this non-fictional read captured the realistic nature of African American urban life for coming-of-age young men, the book has consistently served as a standard for reading among African American teenaged boys.
Read more about this topic: Urban Fiction
Famous quotes containing the words emergence of, emergence, contemporary, urban and/or fiction:
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (18931964)
“Our policy is directed not against any country or doctrine, but against hunger, poverty, desperation and chaos. Its purpose should be the revival of a working economy in the world so as to permit the emergence of political and social conditions in which free institutions can exist.”
—George Marshall (18801959)
“That nameless and infinitely delicate aroma of inexpressible tenderness and attentiveness which, in every refined and honorable attachment, is contemporary with the courtship, and precedes the final banns and the rite; but which, like the bouquet of the costliest German wines, too often evaporates upon pouring love out to drink, in the disenchanting glasses of the matrimonial days and nights.”
—Herman Melville (18191891)
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (191662)
“... if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us to break her and bully her, as well as honour and love her, for so her youth is renewed and her sovereignty assured.”
—Virginia Woolf (18821941)