Uppsala University in Fiction and Popular Culture
Together with Lund, Uppsala is the historic and traditional centre of Swedish academic life, making it a popular object of reference in Swedish literature, art, and film. Specifically, Uppsala University has appeared notably in Män som hatar kvinnor or The Girl with the Dragon Tattoo by Stieg Larsson.
The Norwegian pop singer Kirsti Sparboe dedicated one of her biggest successes to Uppsala University, publishing in 1969 the song "Ein Student aus Uppsala". The song, originally written in German, lasted 14 weeks in the German charts.
Uppsala University appears as a research centre in the strategy game Empire: Total War.
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Famous quotes containing the words university, fiction, popular and/or culture:
“To get a man soundly saved it is not enough to put on him a pair of new breeches, to give him regular work, or even to give him a University education. These things are all outside a man, and if the inside remains unchanged you have wasted your labour. You must in some way or other graft upon the man’s nature a new nature, which has in it the element of the Divine.”
—William Booth (1829–1912)
“If one doubts whether Grecian valor and patriotism are not a fiction of the poets, he may go to Athens and see still upon the walls of the temple of Minerva the circular marks made by the shields taken from the enemy in the Persian war, which were suspended there. We have not far to seek for living and unquestionable evidence. The very dust takes shape and confirms some story which we had read.”
—Henry David Thoreau (1817–1862)
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)