Up Against IT - Background

Background

Orton's screenplay was a revised version of a 1966 script called "Shades of a Personality", by Owen Holder, which producer Walter Shenson wanted Orton to "punch-up", in his words; Orton incorporated portions of this prior draft, but used, as the opening of the story, a concept he and his lover Kenneth Halliwell had explored in a now-lost novel from 1957, The Silver Bucket. The story's skeleton also borrowed liberally from Orton's final novel, written in 1959, called The Vision of Gombold Provol (posthumously published as Head to Toe).

After a proper contract had been drawn up, allowing Orton to buy back the rights to his script should it be refused, Orton submitted the script to the Beatles's manager, Brian Epstein; after a long period without hearing from either Epstein or the Beatles on the subject, his screenplay was returned to him without comment.

Orton further revised Up Against It after this event, paring down the four leads to three (mainly by combining the George and Ringo parts). Producer Oscar Lewenstein accepted the script, considering Mick Jagger and Ian McKellen for two of the leads. Lewenstein and Orton together planned a meeting with director Richard Lester at Twickenham Film Studios to discuss filming options on the script; unfortunately, the morning a chauffeur arrived to take Orton to the meeting, he discovered Orton and his lover Halliwell dead inside their home. Halliwell had bludgeoned Orton to death with nine hammer blows to the head, and then committed suicide with an overdose of 22 Nembutal tablets washed down with the juice from canned grapefruit.

Read more about this topic:  Up Against It

Famous quotes containing the word background:

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    They were more than hostile. In the first place, I was a south Georgian and I was looked upon as a fiscal conservative, and the Atlanta newspapers quite erroneously, because they didn’t know anything about me or my background here in Plains, decided that I was also a racial conservative.
    Jimmy Carter (James Earl Carter, Jr.)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)