The University of North Carolina School of Law is a professional school within the University of North Carolina at Chapel Hill. Established in 1845, Carolina Law is among the oldest law schools in the nation and is the oldest law school in North Carolina. It is consistently ranked in the top-tier of law schools, and its 2013 US News and World Report ranking is 38th. Further, according to the US News and World Report, "Carolina Law " is among the top 10 public law schools in the Nation" -- and 17th in reputation among lawyers and judges and 20th among scholars.
With an average J.D. class size of 250, the law school has just over 700 students at any time, and retains a student-faculty ratio of 16.9 to 1. Admissions are highly competitive: for the Fall 2009 entering class, only 15.4% of applicants were accepted - making it one of the nation's most selective law schools. Minorities represent 30% of the entering class, and over half of the class is female. At least 75% of each incoming class is from North Carolina, although roughly 75% of applications are from out-of-state. This year's entering class includes students from 22 states and Australia.
Read more about University Of North Carolina School Of Law: History, Facilities, Centers and Initiatives, Clinics, Law Journals, Notable Alumni, Leadership
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“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)
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—Albert Borgman, U.S. educator, author. Crossing the Postmodern Divide, ch. 4, University of Chicago Press (1992)
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—William Carlos Williams (1883–1963)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)
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—Friedrich Nietzsche (1844–1900)
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—Woodrow Wilson (1856–1924)