Production
In a phone interview between director John Hyams and the Van Damme fanbase, the director commented:
I am hoping that we are taking a film that was made a long time ago and we are now trying to present these characters in a contemporary context, and that means stylistically contemporary and to use my own taste, something that feels like it belongs in this era of film making. I also think that that film is a bit of a nostalgia piece, not only to late '80s but also early '90s.
The music in the film was a synth score and to me was something that was reminiscent of the John Carpenter movies that I loved growing up, like The Thing, Carpenter would always have these great synth scores. Another piece we used was the group Tangerine Dream did a great score for the movie Sorcerer and taking a note from films like Blade Runner, movies influenced me and my idea of science fiction and action film making and take all the work I did in documentaries and the work I did within MMA and taking all those elements and putting them together to create a style of the film that I think is very different to the first two films, but I think fans of the first two will appreciate and maybe people who haven’t seen them will appreciate it.
I hope that we have breathed some life into the franchise. Some of the powers that be have certainly talked about doing another one already, whether that happens or not involves a lot of elements to come together. With what’s happening with the storylines, we could certainly go in a number of directions.
Read more about this topic: Universal Soldier: Regeneration
Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)