United States Conference of Catholic Bishops' Office For Film and Broadcasting

United States Conference of Catholic Bishops' Office for Film and Broadcasting is an office of the United States Conference of Catholic Bishops and is best known for the USCCB film rating, a continuation of the National Legion of Decency rating system begun in 1933 by Archbishop of Cincinnati John T. McNicholas.

Under the USCCB a film can be rated:

  • A-I (morally unobjectionable for general patronage);
  • A-II (morally unobjectionable for adults and adolescents);
  • A-III (morally unobjectionable for adults);
  • L (limited adult audience – films whose problematic content many adults would find troubling); or
  • O (morally offensive).

Prior to 1982, films adjudged "morally offensive" received either of two ratings, B, which stood for "morally objectionable in part for all," or C, "condemned".

Originally the A category was not subdivided, the age-based segments within it shown above being added later. Until November 1, 2003, the L classification was known as A-IV, which meant "morally unobjectionable for adults, with reservations" and was given to films which, in the Office's judgment, "while not morally offensive in themselves, require caution and some analysis and explanation as a protection to the uninformed against wrong interpretations and false conclusions."

Examples of movies which received the A-IV rating include The Exorcist and Saturday Night Fever, two films whose content was seen by many as being exaggerated by the mainstream press, perhaps leading to the wrong interpretations and false conclusions cited in the rating's full description. In 1995, the description was changed to films "which are not morally offensive in themselves but are not for casual viewing."

The Office for Film and Broadcasting is a direct descendant of the National Legion of Decency.

In 2007, Office director Harry Forbes was sharply criticized for giving a too favorable rating on the Golden Compass movie, which strongly attacks the Church's teaching and Magisterium.

Famous quotes containing the words united states, united, states, conference, catholic, office, film and/or broadcasting:

    Falling in love with a United States Senator is a splendid ordeal. One is nestled snugly into the bosom of power but also placed squarely in the hazardous path of exposure.
    Barbara Howar (b. 1934)

    And hereby hangs a moral highly applicable to our own trustee-ridden universities, if to nothing else. If we really wanted liberty of speech and thought, we could probably get it—Spain fifty years ago certainly had a longer tradition of despotism than has the United States—but do we want it? In these years we will see.
    John Dos Passos (1896–1970)

    Colonel “Bat” Guano: Okay, I’m going to get your money for you. But if you don’t get the President of the United States on that phone, you know what’s going to happen to you?
    Group Captain Lionel Mandrake: What?
    Colonel “Bat” Guano: You’re going to have to answer to the Coca-Cola company.
    Stanley Kubrick (b. 1928)

    The peace conference must not adjourn without the establishment of some ordered system of international government, backed by power enough to give authority to its decrees. ... Unless a league something like this results at our peace conference, we shall merely drop back into armed hostility and international anarchy. The war will have been fought in vain ...
    Virginia Crocheron Gildersleeve (1877–1965)

    A vegetarian is not a person who lives on vegetables, any more than a Catholic is a person who lives on cats.
    George Bernard Shaw (1856–1950)

    We need more of the Office Desk and less of the Show Window in politics. Let men in office substitute the midnight oil for the limelight.
    Calvin Coolidge (1872–1933)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)

    We spend all day broadcasting on the radio and TV telling people back home what’s happening here. And we learn what’s happening here by spending all day monitoring the radio and TV broadcasts from back home.
    —P.J. (Patrick Jake)