Release History
The singles that are missing are: from Kylie, "It's No Secret"; from Let's Get to It, "Word Is Out", "If You Were with Me Now", "Finer Feelings"; Greatest Hits, "What Kind of Fool (Heard All That Before)"; Kylie Minogue, "Where Is the Feeling?" and "Some Kind of Bliss" from Impossible Princess. Many of the singles that were released during her Stock Aitken Waterman and Deconstruction period were not included on the second CD to save room for her bigger hit singles that were produced during her releases with Parlophone. The Japanese release contained three bonus tracks: "Turn It into Love", "Can't Get Blue Monday Out of My Head" and "Slow" (Chemical Brothers Remix).
A DVD was simultaneously released under the same name, containing all the music videos of the CDs, with the exception of "Giving You Up" (which at the time had not been filmed). It also contains Minogue's performance at the 2002 BRIT Awards of "Can't Get Blue Monday Out of My Head": a mix of "Can't Get You Out Of My Head" and New Order's "Blue Monday". Early versions of the UK DVD are known to suffer from the DVD rot phenomenon, after a short period of time, where the playing surface becomes incredibly cloudy or forms a 'cracked' pattern. EMI UK have not publicly addressed this issue.
The album was promoted by the Showgirl: The Greatest Hits Tour. The album was repackaged and reissued in October 2006 in Australia only as the Showgirl Tour Special Edition. The repackaged version contains 2 CDs and 1 DVD, originally available separately. Parlophone has not announced any plans of a UK reissue, however, the version was made available online through such retailers as HMV as an import.
Read more about this topic: Ultimate Kylie
Famous quotes containing the words release and/or history:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (18871965)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by handa center of gravity.”
—Adrienne Rich (b. 1929)