Traditional Country Music
Country music is a genre of American popular music that originated in the rural regions of the Southern United States in the 1920s. It takes its roots from the southeastern genre of American folk music and Western music. Blues modes have been used extensively throughout its recorded history. Country music often consists of ballads and dance tunes with generally simple forms and harmonies accompanied by mostly string instruments such as banjos, electric and acoustic guitars, fiddles, and harmonicas.
The term country music gained popularity in the 1940s in preference to the earlier term hillbilly music; it came to encompass Western music, which evolved parallel to hillbilly music from similar roots, in the mid-20th century. The term country music is used today to describe many styles and subgenres. In 2009 country music was the most listened to rush hour radio genre during the evening commute, and second most popular in the morning commute in the United States.
Read more about Traditional Country Music: Early Origins, First Generation (1920s), Second Generation (1930s–1940s), Third Generation (1950s–1960s), Decline of Western Music and The Cowboy Ballad, Fifth Generation (1990s), Sixth Generation (2000s–present), See Also
Famous quotes containing the words traditional, country and/or music:
“The greatest impediments to changes in our traditional roles seem to lie not in the visible world of conscious intent, but in the murky realm of the unconscious mind.”
—Augustus Y. Napier (20th century)
“Our own country furnishes antiquities as ancient and durable, and as useful, as any; rocks at least as well covered with lichens, and a soil which, if it is virgin, is but virgin mould, the very dust of nature. What if we cannot read Rome or Greece, Etruria or Carthage, or Egypt or Babylon, on these; are our cliffs bare?”
—Henry David Thoreau (1817–1862)
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)