Touch of My Hand (song) - Recording

Recording

For In the Zone, Spears worked with hit producers such as Bloodshy & Avant, R. Kelly, Diddy, Christopher Stewart, Moby, Guy Sigsworth and The Matrix. She first started writing songs for In the Zone during the Dream Within a Dream Tour. Spears commented about writing while touring, "The only thing that was scary to me is that I didn’t know if they were good. You can’t trust anybody. You have to go with your feelings." Spears commented that she was an autobiographical songwriter, although not to the point she felt self-exploited. Following the end of the tour, Spears invited her friend and backing vocalist Annet Artani to her home in Los Angeles. They started writing songs at the piano, and shortly after, they traveled to Lake Como in Lombardy, Italy. Among the tracks they worked on was "Everytime", which Artani confirmed to be written as a response to Justin Timberlake's "Cry Me a River", as well as "Shine", written by Spears about her sister Jamie Lynn, which was left unfinished. Earnest recording of the album began in early 2003. Spears commented that although she did not know initially what direction she wanted to go with the album, she took time to work with different producers and to find those who she had chemistry with. The first song recorded for In the Zone was "Touch of My Hand", and Spears said it "really did provide a balance for the rest of the record. We just went from there." Following the recording sessions for "Everytime", Spears complimented Sigsworth, saying, "I just basically told him exactly how I wanted the song to sound. And he was so amazing because there's a lot of producers you tell them things and they don't get it. And you're like oh, that's not the right way. He got it just right. He was amazing."

Christopher Stewart and Penelope Magnet, known collectively as RedZone, presented Spears with the third song they had written and produced, "Pop Culture Whore". While her management liked the track, she rejected it, telling them the song "sucked". After bonding with Spears during a night in New York City to "get in her world", as Magnet explained, it was easier to "actually write and know what she would and wouldn't say, to know where her real vibe is". Stewart and Magnet began working on the first version of "Me Against the Music"; Stewart came up with the track, while Magnet developed the melody on a piano and some of the lyrics. During the recording sessions, Stewart recalls that the studio's air-conditioning died for three days, but Spears "didn't complain or anything, and for me that shows she's where she is for a reason." While rehearsing for their performance at the 2003 MTV Video Music Awards, Spears played a finished version of "Me Against the Music" to Madonna. After Madonna commented that she liked the track, Spears asked her to do the song with her. RedZone then handed "Me Against the Music" to Madonna, who arranged and recorded her vocal additions on her own, therefore making the song a duet. Spears, who has been a fan of Madonna for years, was "beyond surprised" when she heard Madonna's verse. She said "I just asked her to do a little thing, but she really went there. She did a lot of stuff to it." RedZone were then enlisted to work on several more songs for the album, including co-writing "Early Mornin'", recording background vocals for "Outrageous" and producing "The Hook Up".

The Matrix commented that after they presented songs to Spears, she tailored them to suit herself, especially the lyrics. Christy said, "... she really knows what she wants. She knows if she's trying something on that doesn't fit right for her. She's like, 'No, that's not me.' She's not one to strap on some sort of fake image." Christy also claimed to be impressed with Spears's vocal ability during the recording of "Shadow". Steve Anderson, Lisa Greene and Stephen Lee wrote "Breathe on Me" at Metrophonic Studios in London, England. Before meeting with the other writers, Anderson thought of two concepts for songs specifically for Spears: one he had worked on "for ages", and "Breathe on Me", which he drafted on the morning of the sessions. Greene and Lee did not like the first concept, and they wrote "Breathe on Me" with Anderson. The song was produced by Mark Taylor, who kept most of the programming done by Anderson. With Taylor, Spears recorded "Breathe on Me" and "And Then We Kiss", which did not make the album. Before the album was released, Spears's manager Larry Rudolph commented that it was important for Spears to continue moving away from a traditional pop sound, citing "I'm a Slave 4 U" and "Boys" from Britney as departures from her previous music. Barry Weiss, then-president of Jive Label Group, added, "She has achieved what she set out to achieve, which was to make a mature album that didn't sound like something she would have done three years while still making a commercial album that has hit singles. It's the kind of record she should be doing right now, and it came down to her to make it." In the Zone was recorded at Battery Studios and The Dojo in New York City, 3:20 Studios, Decoy Studios, Pacifique Studios, Record Plant and Westlake Audio in Los Angeles, California, The Chocolate Factory, in Chicago, Illinois, Triangle Sond Studios in Atlanta, Georgia, Metrophonic Studios and Olympic Studios in London, England, and Murlyn Studios in Stockholm, Sweden. Throughout the beginning of 2003, Spears started testing tracks by playing them in nightclubs such as Show in New York City.

Read more about this topic:  Touch Of My Hand (song)

Famous quotes containing the word recording:

    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
    Jessie Tarbox Beals (1870–1942)

    I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
    Henry Miller (1891–1980)

    Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
    Jane Heap (c. 1880–1964)