Background and Production
Director Julie Taymor took Shakespeare's script, added various linking scenes without dialogue (while cutting some of the text) and set the play in an anachronistic fantasy world that uses locations, costumes and imagery from many periods of history, including Ancient Rome and Mussolini's Italy, to give the impression of a Roman Empire that survived into the modern era. The opening scenes commence with a heavily choreographed triumphal march of the Roman troops, complete with motorcycle outriders. The selection of music is similarly diverse.
Apart from the deliberate anachronisms, the film follows the play quite closely. One of the experimental concepts in the film was that the character of Young Lucius (Titus' grandson) is initially introduced as a boy from the present who finds himself transported to the fantastical reality of the film. At the beginning of the film his toy soldiers turn into Titus' Roman army. At the end, when Titus' son Lucius avenges his father by condemning the villainous Aaron to a painful death, the boy takes pity on Aaron's infant son, carrying him away from the violence as he walks slowly into the sunrise. This ending is perhaps more positive than the ending of other productions of the play, including Taymor's stage production, in which Young Lucius is fixated upon the "tiny black coffin" holding the dead infant.
The film was shot at the Cinecittà studios in Rome and on location at various historic monuments. The arena that appears at the beginning and ending of the film is the Arena in Pula, Croatia. The Emperor's palace is represented by the 1930s Esposizione Universale Roma building in Rome. Some shots of underground tunnels and ruins were filmed at Hadrian's Villa in Rome. The forest scenes were shot at Manziana, near Rome. Titus's house is represented by an old house near an aqueduct in Rome, and the streets where he rounds up his conspirators are the Roman Ghetto.
Although the film did not do well at the box office, it was praised for its visual effects, design and attention to symbolism.
Read more about this topic: Titus (film)
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