Tim Hodgkinson - Recent Works

Recent Works

• Repulsion (1997) – for clarinet, electric guitar, trombone, percussion. c 10'
• SHHH (1996–7) – for taped voices. c 7'
• For Looking Inside (1997) – for 3 prepared violas. c 10'30"
• Interferogram (1997) – for large ensemble. c 10'
• Mala; Elated (1997) – for clarinet, harpsichord, organ, metal plates, cymbals. c 8'
• Black Death and Errors in Construction (1998) – for bass clarinet, prepared piano, electric guitar, 2 cellos, 2 violas, percussion, tape. c 12'
• The Road to Erzin (1999) – for viola, piano, alto saxophone, percussion (2 players) & live electronic sound-processing. c 15'
• Crackle of Forests (1999) – for many instruments. c 23'
• Gushe (1999) – solo clarinet and tape. c 13'
• Ma (1999) – montage. c 20'
• Apophasis (2001) – concrète sound-art piece with David Connearn. c 22'
• Fighting/Breathing (2001) – for bass clarinet and taped percussion. c 7'40"
• String Quartet 3 (2000–1)
• Vers Kongsu (2002) – for clarinet and percussion. c 15'
• Fragor (2003) – computer-assisted music for arco electric guitar and cello. c 7'
• Vers Kongsu II (2003) – revised version of Vers Kongsu for clarinet and ensemble.
• De Yoknapatawpha (2003–4) – 2 clarinets (one doubling bass) + piano. c 12'
• Watching into a Hard Stone (2004) – tape music using sounds of clarinet, ringmodulator, prepared piano, pitch shifter. c 9'
• Aici Schiteaza Pe Acumul (2004) – for tape and instrumental ensemble (3 vln/vla, 2 celli, 2 cb, oboe, 2 flt, clar, bass-clar, bassoon, sax, trom, 2 percuss, piano). c 9'
• Further Into Hard Stone (2004) – arranged for flute (+ pic), oboe, 2 clars, bassoon, fr horn, saxes, strings, piano, percussion. c 9'
• Piece for Harp and Cello (2004–5) – c 9'
• Nameless Tower (2005) – for Vln, 2 alto, cello, flute, clar, bass clar, trombone, piano, 2 percussion.
• Thrown (2005) – for bass clarinet doubling clarinet, harp, piano, double bass, percussion and live sound treatment and projection. c 9'
• Ulaaraar (2005) – for bass clarinet, string ensemble (min 2 altos, 2 cellos) and small gong. c 10'
• Untitled for solo Bb clarinet (2005–6)
• Carillon for Amplified Harpsichord and four pre-recorded Electric Guitars (2006) – for harpsichord and tape. c 4'45"
• Hearken (2006) – for bass clarinet and tape. c 12'
• Against Time (2006) – for 14 woodwind & brass instruments, percussion, keyboard. c 19'45"
• Amhas / Niritti (2006) – for tape and ensemble. c 14'
• Nomos-Yozu (2007) – for ensemble. c 13' Huddersfield Contemporary Music Festival Commission.
• the hum of destruction whirrs through the national cackle of love and produce (2007) – for (bass) flute, acoustic guitar, electronics. c 17'
• Tmesis (2007) – for tape, solo cello, 2 clarinets, 2 percussion, horn, trombone. c 10'30"
• Chasma (2008) – for Ensemble: flute, oboe, clarinet, trumpet, horn, trombone doubling cb. trom, piano, harp, 2 vlns, 2 vlas, 2 cellos, 2 basses. c23'
• ZUD (2008) – graphic score for elec guitar, piano, cello, bass, percussion. c 9'20"
• Ich Horig (2008) – graphic score for tape, clarinet, piano, cello, bass, percussion. c 7'
• Ici-bas (2009) – for flute, 2 clarinets, bassoon, 2 trombones, piano, 3 violins, 3 altos, 2 cellos, 2 basses. For Spectrum XXI 2009. c 14"
• Attaot (2009) – for flute, clarinet, bassoon, 2 trombones, 2 percussion, violin, alto, cello, 2 basses & tape. For Spectrum XXI 2009. 8'30"
• Jo-Ha-Qui (2010) – for string quartet, harp, trombone, synthesiser and bowed glass. c 16"
• The Glow and Zigzag (2011) – for French horn solo. London Sinfonietta commission. c 6"
• Tree Leaf Talk (2011) – for voice, violin, cello, trombone, harp, piano, live and pre-recorded electronic sound. Commissioned by Ne(X)tworks Ensemble, NYC. c 35"
• Hail and Flummox (2011) – flute, clarinet, horn, violin, cello. London Sinfonietta commission. 7"
• Ananké (2011) – flute, clarinet, violin, 2 cellos, double bass, piano, percussion, electric guitar, no-input mixer, and pre-recorded computer-modulated sound. For Spectrum XXI 2011. c 16"