Music
Tim Hodgkinson’s music displays many personalities: from the serious and complex musical structures of Henry Cow to the angry post-punk crash of guitars in The Work; from the free-wheeling improvisation with Konk Pack to the contemporary classical music of his virtual orchestra on his solo recordings.
The instruments he plays are principally reeds (saxophone and clarinet) and keyboards, but with The Work, K-Space and Konk Pack he also played lap steel guitar/Hawaiian guitar and he sang. For his solo recordings he added viola, percussion, sampling, sequencing and MIDI.
Hodgkinson is a self-taught musician. He started formal piano and clarinet lessons, but quickly abandoned them. He then began writing down music, initially using a keyboard but soon switched to writing the sounds in his head directly onto paper. To assist with this process, he studied sight-singing with Andras Ranki at Morley College, London in 1983. He also studied composition and writing orchestral music in 1985.
At heart, Tim Hodgkinson is an improviser, but he is also a composer, experimenting with the use of rock production techniques to create contemporary classical music.
Read more about this topic: Tim Hodgkinson
Famous quotes containing the word music:
“From where Pan’s cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”
—William Butler Yeats (1865–1939)
“Hell is full of musical amateurs: music is the brandy of the damned.”
—George Bernard Shaw (1856–1950)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)