Tical (album) - Background

Background

In 1991, rapper GZA assisted Method Man in shopping him to label executives at Cold Chillin' Records. Though this would turn out to be unsuccessful, he formed the Wu-Tang Clan with his cousins RZA and Ol' Dirty Bastard, and Method Man was included in the group. Method Man went on to perform on eight of the twelve tracks on the group's acclaimed 1993 debut album, Enter the Wu-Tang (36 Chambers), and even had a solo song entitled "Method Man". That song as well as "C.R.E.A.M.", on which he performed the chorus line, reached #69 and #60 respectively on the Billboard Hot 100. These two songs had higher chart positions than any other tracks on the album, and thus caused much anticipation for Method Man's solo career. At the time of Wu-Tang Clan's debut album, Method Man's rhymes, charisma, and smooth, deep voice made him the group's most visible, popular member.

With the exception of "Sub Crazy" and "P.L.O. Style", which were co-produced by 4th Disciple and Method Man respectively, group member RZA produced Tical in its entirety - leading Jason Birchmeier of Allmusic to refer to the album as "a two-man show". As with the rest of the first round of Wu-Tang albums, RZA would recreate the distinct "Shaolin" sound while tailoring it to the featured rapper. On Tical, his production was especially gritty, dark and murky, complementing both Method Man's distinctly smooth-yet-rugged voice and his raps of cannabis smoking, project love, and traditional hardcore hip hop lyricism. During this time period of the Wu-Tang Clan, RZA was the sole provider of beats for all of its members, whom he would then have battle over the rights to record over them. This competitive approach to quality control would result in Tical's "Meth vs. Chef", a recorded battle between Method Man and Raekwon. "Meth vs. Chef" was recorded in 1993 before RZA's 36 Chambers Studios was flooded, destroying reportedly fifteen beats per Wu-Tang Clan rapper. Many of the beats for Tical would be hastily recreated, and mixed.

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