Production
It was felt that we'd done the one with the hardware and that now we wanted to do something amusing. Out came this script with a Tiger Moth in it, which was as far removed from the hardware that was in Thunderbirds as anything I can think of.
David Lane (2009)Despite the unexpected failure of Thunderbirds Are Go on its release in December 1966, the United Artists distributors authorised a sequel, to be budgeted at £300,000. Major production credits were unchanged from the first film: while Gerry and Sylvia Anderson scripted the film in three months and returned as producers, David Lane filled the position of director.
The plot of the ill-fated Skyship One was intended to be more light-hearted than that of Zero-X in Thunderbirds Are Go, although at the earliest production stage the focus was to be a "Russo-American space project". From an idea of Desmond Saunders, a long-standing collaborator who had an interest in aviation, the Andersons based the plot on the destruction of the British R101 in 1930. Gerry Anderson researched airship history by reading books on the R101, the R100 and the Graf Zeppelin. The plot also emulates the Thunderbirds Series Two episode "Alias Mr. Hackenbacker", which stars another of Brains' pioneering aircraft, Skythrust.
Introducing a vintage de Havilland Tiger Moth as the new Thunderbird 6, in their script the Andersons allude to 1960s publicity for Esso, which advertised under the promotional banner of "Put a Tiger in Your Tank". A line from Virgil Tracy during the final rescue of the Skyship One occupants adapts this slogan to refer to the "Tiger" stored inside Thunderbird 2's Pod. However, no character dialogue explicitly refers to the aircraft by the full name "Tiger Moth".
Read more about this topic: Thunderbird 6
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains ichthyol, a medicinal preparation used externally, in Websters clarifying phrase, as an alterant and discutient.”
—State of Utah, U.S. public relief program (1935-1943)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)