Thumbelina - Publication and Critical Reception

Publication and Critical Reception

Andersen published two installments of his first collection of Fairy Tales Told for Children in 1835, the first in May and the second in December. "Thumbelina" was first published in the December installment by C. A. Reitzel on 16 December 1835 in Copenhagen. "Thumbelina" was the first tale in the booklet which included two other tales: "The Naughty Boy" and "The Traveling Companion". The story was republished in collected editions of Andersen's works in 1850 and 1862.

The first reviews of the seven tales of 1835 did not appear until 1836 and the Danish critics were not enthusiastic. The informal, chatty style of the tales and their lack of morals were considered inappropriate in children’s literature. One critic however acknowledged "Thumbelina" to be “the most delightful fairy tale you could wish for.”

The critics offered Andersen no further encouragement. One literary journal never mentioned the tales at all while another advised Andersen not to waste his time writing fairy tales. One critic stated that Andersen "lacked the usual form of that kind of poetry and would not study models". Andersen felt he was working against their preconceived notions of what a fairy tale should be, and returned to novel-writing, believing it was his true calling. The critical reaction to the 1835 tales was so harsh that he waited an entire year before publishing "The Little Mermaid" and "The Emperor's New Clothes" in the third and final installment of Fairy Tales Told for Children.

Read more about this topic:  Thumbelina

Famous quotes containing the words publication, critical and/or reception:

    “An action is the perfection and publication of thought. A right action seems to fill the eye, and to be related to all nature.”
    —Ralph Waldo Emerson (1803–1882)

    “I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
    —Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)

    “He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
    —Billy Wilder (b. 1906)