Publication and Critical Reception
Andersen published two installments of his first collection of Fairy Tales Told for Children in 1835, the first in May and the second in December. "Thumbelina" was first published in the December installment by C. A. Reitzel on 16 December 1835 in Copenhagen. "Thumbelina" was the first tale in the booklet which included two other tales: "The Naughty Boy" and "The Traveling Companion". The story was republished in collected editions of Andersen's works in 1850 and 1862.
The first reviews of the seven tales of 1835 did not appear until 1836 and the Danish critics were not enthusiastic. The informal, chatty style of the tales and their lack of morals were considered inappropriate in children’s literature. One critic however acknowledged "Thumbelina" to be “the most delightful fairy tale you could wish for.”
The critics offered Andersen no further encouragement. One literary journal never mentioned the tales at all while another advised Andersen not to waste his time writing fairy tales. One critic stated that Andersen "lacked the usual form of that kind of poetry and would not study models". Andersen felt he was working against their preconceived notions of what a fairy tale should be, and returned to novel-writing, believing it was his true calling. The critical reaction to the 1835 tales was so harsh that he waited an entire year before publishing "The Little Mermaid" and "The Emperor's New Clothes" in the third and final installment of Fairy Tales Told for Children.
Read more about this topic: Thumbelina
Famous quotes containing the words publication, critical and/or reception:
“I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.”
—John Updike (b. 1932)
“Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.”
—John Berger (b. 1926)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)