Later Work
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In 1995, the new lineup released University, recorded in New Orleans; the album included "Bright Yellow Gun," a single garnering airplay on commercial radio stations. The album's radio exposure led to long feature articles in Rolling Stone and other major music magazines. Following the 1996 album Limbo, the band announced it was going on indefinite hiatus due to the high financial overhead of being a full-time recording and touring band.
Hersh continued her solo career during this period, releasing several well-received albums and EPs. Yet her enthusiasm for Throwing Muses remained high; the band recorded new versions of several early songs for inclusion in the double-CD In a Doghouse compilation comprising the self-titled debut album, the Chains Changed EP, and the Doghouse Cassette. The band regrouped to perform special "Gut Pageant" events in 2000 and 2001, and released an album in 2003, entitled Throwing Muses. Donelly made her first appearances with the group in a decade at the 2000 Gut Pageant, also singing backing vocals on several tracks on the 2003 album. The group toured the U.S. and Europe briefly in 2003 to support the album, with appearances by Donelly on guitar and vocals in a couple of the tour's shows. In 2005 and 2006, the band played a number of shows across North America and Europe.
Hersh and Georges formed a new band, 50 Foot Wave, with drummer Rob Ahlers in 2003, while Narcizo returned to his graphic design company and his occasional musical project Lakuna. Donelly continues to record as a solo artist.
In 2009, the band reformed to tour Europe. They also performed the R.E.M number 'Perfect Circle' during a tribute night to the band at Carnegie Hall, New York on March 11, 2009.
In 2011 the band recorded a demo for their next album. The demo is available for download through CASH Music.
Read more about this topic: Throwing Muses
Famous quotes containing the word work:
“And men left down their work and came,
And women with petticoats coloured like flame.
And little bare feet that were blue with cold,
Went dancing back to the age of gold,
And all the world went gay, went gay,
For half an hour in the street to-day.”
—“Seumas” “O’Sullivan” (1879–1958)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)