Three Rivers (train) - History

History

Amtrak began the Three Rivers on September 10, 1995, as a replacement for the discontinued Broadway Limited. Originally the train ran between New York and Pittsburgh, extending a New York—Harrisburg, Pennsylvania Keystone Service. It carried the numbers 46/47. In Pittsburgh, the train exchanged mail cars with the Chicago—Washington, D.C. Capitol Limited. Passengers continuing to Chicago changed trains manually. Through service began on February 1, 1996: two Three Rivers Amfleet coaches were coupled to the Superliner consist of the Capitol Limited. Through passengers reached the Capitol Limited portion of the train via the transition dorm.

Amtrak ended the switching operation on November 10, 1996 in favor of extending the Three Rivers to Chicago as an independent train. Amtrak restored the Broadway Limited's numbers (40/41), but because of equipment shortages could not restore sleeper service nor a full dining car. Operating at the height of Amtrak's experiment with mail and express business, a typical late 1990s Three Rivers carried 4-6 passenger cars and upwards of 25 mail cars.

Read more about this topic:  Three Rivers (train)

Famous quotes containing the word history:

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    At present cats have more purchasing power and influence than the poor of this planet. Accidents of geography and colonial history should no longer determine who gets the fish.
    Derek Wall (b. 1965)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)