Themes from William Blake's The Marriage of Heaven and Hell is the fourth album by Norwegian experimental band Ulver. It is a musical setting of William Blake's book The Marriage of Heaven and Hell, featuring guest vocals. The actual CD booklet contains the plates of Blake's scriptures, which are contained in the lyrics.
The album is a drastic change in sound to that of its predecessors, the title alone being a loud signal that Ulver had changed somewhat. The album and the band in general got a great deal of back-lash from the black metal community for abruptly changing musical styles, though the band expressly claimed to not be part of the "so-called black metal scene" in the liner notes of the booklet.
The music on this double album consists of elements from drum and bass, progressive rock, spoken word, industrial music, and black metal, fused into a somewhat ambient new style.
Read more about Themes From William Blake's The Marriage Of Heaven And Hell: Credits
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“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“All futurity
Seems teeming with endless destruction never to be repelled;
Desperate remorse swallows the present in a quenchless rage.”
—William Blake (1757–1827)
“All married couples should learn the art of battle as they should learn the art of making love. Good battle is objective and honest—never vicious or cruel. Good battle is healthy and constructive, and brings to a marriage the principle of equal partnership.”
—Ann Landers (b. 1918)
“A lady dying of diabetes
Listened to the radio,
Catching the lesser dithyrambs.
So heaven collects its bleating lambs.”
—Wallace Stevens (1879–1955)
“My heart is as some famine-murdered land
Whence all good things have perished utterly,
And well I know my soul in Hell must lie
If I this night before God’s throne should stand.”
—Oscar Wilde (1854–1900)