Themes from William Blake's The Marriage of Heaven and Hell is the fourth album by Norwegian experimental band Ulver. It is a musical setting of William Blake's book The Marriage of Heaven and Hell, featuring guest vocals. The actual CD booklet contains the plates of Blake's scriptures, which are contained in the lyrics.
The album is a drastic change in sound to that of its predecessors, the title alone being a loud signal that Ulver had changed somewhat. The album and the band in general got a great deal of back-lash from the black metal community for abruptly changing musical styles, though the band expressly claimed to not be part of the "so-called black metal scene" in the liner notes of the booklet.
The music on this double album consists of elements from drum and bass, progressive rock, spoken word, industrial music, and black metal, fused into a somewhat ambient new style.
Read more about Themes From William Blake's The Marriage Of Heaven And Hell: Credits
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“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“And I saw it was filled with graves,
And tomb-stones where flowers should be;
And Priests in black gowns were walking their rounds,
And binding with briars my joys and desires.”
—William Blake (1757–1827)
“For the longest time, marriage has had a guilty conscience about itself. Should we believe it?—Yes, we should believe it.”
—Friedrich Nietzsche (1844–1900)
“I will go to the garden.
I will be a romantic. I will sell
myself in hell,
in heaven also I will be.”
—Robert Creeley (b. 1926)
“One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.”
—H.L. (Henry Lewis)