Themes from William Blake's The Marriage of Heaven and Hell is the fourth album by Norwegian experimental band Ulver. It is a musical setting of William Blake's book The Marriage of Heaven and Hell, featuring guest vocals. The actual CD booklet contains the plates of Blake's scriptures, which are contained in the lyrics.
The album is a drastic change in sound to that of its predecessors, the title alone being a loud signal that Ulver had changed somewhat. The album and the band in general got a great deal of back-lash from the black metal community for abruptly changing musical styles, though the band expressly claimed to not be part of the "so-called black metal scene" in the liner notes of the booklet.
The music on this double album consists of elements from drum and bass, progressive rock, spoken word, industrial music, and black metal, fused into a somewhat ambient new style.
Read more about Themes From William Blake's The Marriage Of Heaven And Hell: Credits
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“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“He whose face gives no light, shall never become a star.”
—William Blake (1757–1827)
“From infancy, almost, the average girl is told that marriage is her ultimate goal; therefore her training and education must be directed toward that end. Like the mute beast fattened for slaughter, she is prepared for that.”
—Emma Goldman (1869–1940)
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Or what hell was, since now both heaven and hell
Are one, and here, O terra infidel.”
—Wallace Stevens (1879–1955)