Themes From William Blake's The Marriage of Heaven and Hell

Themes from William Blake's The Marriage of Heaven and Hell is the fourth album by Norwegian experimental band Ulver. It is a musical setting of William Blake's book The Marriage of Heaven and Hell, featuring guest vocals. The actual CD booklet contains the plates of Blake's scriptures, which are contained in the lyrics.

The album is a drastic change in sound to that of its predecessors, the title alone being a loud signal that Ulver had changed somewhat. The album and the band in general got a great deal of back-lash from the black metal community for abruptly changing musical styles, though the band expressly claimed to not be part of the "so-called black metal scene" in the liner notes of the booklet.

The music on this double album consists of elements from drum and bass, progressive rock, spoken word, industrial music, and black metal, fused into a somewhat ambient new style.

Read more about Themes From William Blake's The Marriage Of Heaven And Hell:  Credits

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    I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
    Henry David Thoreau (1817–1862)

    With sweet May dews my wings were wet,
    And Phoebus fir’d my vocal rage;
    He caught me in his silken net,
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    He loves to sit and hear me sing,
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    —William Blake (1757–1827)

    Marriage is the clue to human life, but there is no marriage apart from the wheeling sun and the nodding earth, from the straying of the planets and the magnificence of the fixed stars.
    —D.H. (David Herbert)

    Little deeds of kindness,
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    Like the heaven above.
    Julia A. Fletcher Carney (1823–1908)

    Tyranny destroys or strengthens the individual; freedom enervates him, until he becomes no more than a puppet. Man has more chances of saving himself by hell than by paradise.
    E.M. Cioran (b. 1911)