Themes From William Blake's The Marriage of Heaven and Hell

Themes from William Blake's The Marriage of Heaven and Hell is the fourth album by Norwegian experimental band Ulver. It is a musical setting of William Blake's book The Marriage of Heaven and Hell, featuring guest vocals. The actual CD booklet contains the plates of Blake's scriptures, which are contained in the lyrics.

The album is a drastic change in sound to that of its predecessors, the title alone being a loud signal that Ulver had changed somewhat. The album and the band in general got a great deal of back-lash from the black metal community for abruptly changing musical styles, though the band expressly claimed to not be part of the "so-called black metal scene" in the liner notes of the booklet.

The music on this double album consists of elements from drum and bass, progressive rock, spoken word, industrial music, and black metal, fused into a somewhat ambient new style.

Read more about Themes From William Blake's The Marriage Of Heaven And Hell:  Credits

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    Heaven and hell suppose two distinct species of men, the good and the bad. But the greatest part of mankind float betwixt vice and virtue.
    David Hume (1711–1776)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)

    Ah, Sun-flower, weary of time,
    Who countest the steps of the Sun,
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    And the pale Virgin shrouded in snow
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    —William Blake (1757–1827)

    A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.
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    Some pray to marry the man they love,
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    Rose Pastor Stokes (1879–1933)

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