Legacy, Adaptations and Cultural Influence
Further information: Cultural influence of Gilbert and SullivanA monument in Sullivan's memory was erected in the Victoria Embankment Gardens (London) and is inscribed with a lyric from Yeomen: "Is life a boon? If so, it must befall that Death, whene'er he call, must call too soon". In 1962, 1964, 1966, 1978 and 2009, the opera was staged before large audiences in the moat of the Tower of London.
A 1957 American TV broadcast of the opera as part of the NBC Hallmark Hall of Fame series starred Alfred Drake as Point, Barbara Cook as Elsie, Celeste Holm as Phoebe and Bill Hayes as Fairfax, and featured Henry Calvin as Wilfred and Marjorie Gordon as Kate, with announcer Lee Vines. It was broadcast on 10 April 1957 and was directed by George Schaefer and conducted by Franz Allers. It is 79 minutes long, including commercials, so much of the dialogue and some music is cut. Alfred Drake narrates the story. A kinescope copy of the broadcast survives and is "available for preorder" in Black and White on DVD. Another cut version was made in 1978 for British TV starring Tommy Steele as Point, Terry Jenkins as Fairfax, Anne Collins as Carruthers, Laureen Livingstone as Elsie, Della Jones as Phoebe, Paul Hudson as Meryll and Dennis Wickes as Wilfred. It was produced by Stanley Doreman, directed by Anthony Besch and conducted by David Lloyd-Jones in connection with 1978 City of London Festival.
The musical group Peter, Paul and Mary included the song, "I have a song to sing, O!" on one of their children's albums, Peter, Paul and Mommy (1969). In 1973, a BBC TV Play for Today production, Jack Point, by Colin Welland, directed by Michael Apted, concerned the tensions in an amateur theatre group during a production of Yeomen, particularly the casting of the part of Jack Point.
Read more about this topic: The Yeomen Of The Guard
Famous quotes containing the words cultural and/or influence:
“The men who are messing up their lives, their families, and their world in their quest to feel man enough are not exercising true masculinity, but a grotesque exaggeration of what they think a man is. When we see men overdoing their masculinity, we can assume that they haven’t been raised by men, that they have taken cultural stereotypes literally, and that they are scared they aren’t being manly enough.”
—Frank Pittman (20th century)
“For character too is a process and an unfolding ... among our valued friends is there not someone or other who is a little too self confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protruberent there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations?”
—George Eliot [Mary Ann (or Marian)