Style
The Year of the Death of Ricardo Reis is written in Saramago's distinctive style, in which he uses no punctuation except commas and periods, denoting dialogue and changes of speaker using only capital letters. He uses long, flowing sentences and paragraphs often several pages in length. Saramago also digresses from the story frequently, occasionally even in the first person, remarking philosophically on the significance of images, objects or situations encountered in the story. Saramago’s writing technique often has strong magical-realist elements.
Read more about this topic: The Year Of The Death Of Ricardo Reis
Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)