The Year of The Death of Ricardo Reis - Style

Style

The Year of the Death of Ricardo Reis is written in Saramago's distinctive style, in which he uses no punctuation except commas and periods, denoting dialogue and changes of speaker using only capital letters. He uses long, flowing sentences and paragraphs often several pages in length. Saramago also digresses from the story frequently, occasionally even in the first person, remarking philosophically on the significance of images, objects or situations encountered in the story. Saramago’s writing technique often has strong magical-realist elements.

Read more about this topic:  The Year Of The Death Of Ricardo Reis

Famous quotes containing the word style:

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)

    As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.
    Wright Morris (b. 1910)