Production
The series, created by Doug Langdale, made its debut in 1999 as a part of Disney's One Saturday Morning on the American Broadcasting Company and later on Disney's One Too on Sunday mornings. Later it moved to cable channel Toon Disney and aired on The Disney Channel for a short time. In Canada, it was shown on the Family Channel three times a day on weekdays. In the UK, Disney Channel began airing the show exclusively on Friday afternoons, Saturdays and Sunday mornings to fit in with the basic premise (the Latin American version of Disney Channel did the same when airing the show).
The show became popular because of its distinctive animation style, and character movements were fluid. One of the points of deliberate humor by the animation was that the eyes on each character were far apart, similar perhaps to Nickelodeon's cartoon program, Rocket Power.
The show's title theme (performed by Wayne Brady) was written by both Brady and Roger Neill. TV Guide dubbed The Weekenders as "the show that killed Pokémon," because ABC stole the ratings when they aired it at 10:00 am - the same time Pokémon aired on Kids' WB. The Weekenders last aired on Toon Disney in 2007. It is now airing on the Jamaican TV station Television Jamaica (TVJ).
Read more about this topic: The Weekenders
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)