The Twelve Kingdoms - Characters

Characters

One of the major stories of the series centers around a girl named Yoko Nakajima from Japan, who is suddenly transported to the world of the Twelve Kingdoms and searches for her destiny. However, neither the series nor the anime concentrates solely on Yoko, and they do tell stories of other characters. The anime uses Yoko as a framing device for telling other stories, while the novels do not.

The novels focus on several characters other than Yoko, including Taiki, a timid rare black kirin who serves the ruler of Tai, and Enki and Shouryuu, the kirin and King of En, respectively. Other major characters include Keiki, the blunt and apparently cold minister of Kei who brings Yoko to the Twelve Kingdoms; Gyousou, a general chosen by Taiki to become King of Tai; Shushou, the Queen of Kyou; Shoukei, the disposed princess of Hou, and Suzu, a peasant girl who is unexpectedly transported from Japan to the Twelve Kingdoms.

Each of the Twelve Kingdoms has a monarch and a kirin, a mythological beast who first selects, and then serves, the monarch of his or her kingdom, and can assume human form. Though only a few rulers and kirin are in the main focus of the story, many are encountered in the series and play a significant role.

Read more about this topic:  The Twelve Kingdoms

Famous quotes containing the word characters:

    “Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
    —Charles Sanders Peirce (1839–1914)

    “Of all the characters I have known, perhaps Walden wears best, and best preserves its purity. Many men have been likened to it, but few deserve that honor. Though the woodchoppers have laid bare first this shore and then that, and the Irish have built their sties by it, and the railroad has infringed on its border, and the ice-men have skimmed it once, it is itself unchanged, the same water which my youthful eyes fell on; all the change is in me.”
    —Henry David Thoreau (1817–1862)

    “A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
    —Clifford Irving (b. 1930)