The Tales of Ise - Origin and Structure

Origin and Structure

The Tales of Ise may have developed from specific poetry sets, but with accretions of later narratives, intending to ground the poems in a specific historical time and place, and develop an overall theme. Kashu, private or individual poetry collections, provide a journal of selected works, with headnotes covering the circumstances of the composition; it is possible Narihira may have created such a collection, which was subsequently adapted to portray an idealised vision of the poet. Volume 16 of the Man'yōshū also has a large selection of poems preceded by narratives in classical Chinese, bearing a similarity to the narrative style of the Tales of Ise.

The narrative makes little attempt to link the sections, but introduces or provides a scene for the composition of the poem. A rough chronology of the central character's life is established through the sections, from the 'young man who came of age' in section 1, through numerous adventures and loves, to the man who fell gravely ill and 'knew in his heart that he was to die', in section 125. This neither produces a traditional biography, nor even a traditional plot, as seen from a Western perspective.

At least four theories for the title of the work have been proposed by commentators from the Kamakura period onwards: the work was written by Lady Ise and named after her; the title followed from section 69, as the central character visits the Priestess at Ise Shrine; in the Nihon Shoki, the character for I reads as woman, and Se reads as man, leading to the text embodying the theme of union; the author deliberately distorted events, places, people, and times, embodying the phrase Ise ya Hyuga or 'topsy-turvy'.

Thematically, The Tales of Ise embodies the courtly miyabi aesthetic, prevalent among the surviving works produced by and for the culture elite of the Heian period, such as the more well-known The Tale of Genji. The poems themselves explore nature, the court society, culture, and love and relationships. A highlight can be shown from the interlude in section 9, as the central character rests beside the yatsuhashi or eight bridges in the famous iris marshes of Mikawa province. The poem he composes combines these themes: the sense of loss at leaving the capital, viewed as the only place of society and culture; longing for lost loves; and the beauty of the natural environment.

から衣 きつゝなれにし つましあれば はるばるきぬる たびをしぞ思

Karagoromo / kitsutsu narenishi / tsuma shi areba / harubaru kinuru / tabi o shi zo omou

I have a beloved wife / familiar as the skirt / of a well-worn robe / and so this distant journeying / fills my heart with grief