Critical Response
At the time of release, reviews of The Silmarillion were negative. The Silmarillion was criticized for being too serious, lacking the light-hearted moments that were found in The Lord of the Rings and especially The Hobbit. TIME lamented that there was "no single, unifying quest and, above all, no band of brothers for the reader to identify with". Other criticisms included difficult-to-read archaic language and many difficult and hard-to-remember names.
Despite these shortcomings, a few reviewers praised the scope of Tolkien's creation. The New York Times Book Review acknowledged that "what is finally most moving is … the eccentric heroism of Tolkien's attempt". TIME described The Silmarillion as "majestic, a work held so long and so powerfully in the writer's imagination that it overwhelms the reader". The Horn Book Magazine even lauded the "remarkable set of legends conceived with imaginative might and told in beautiful language".
The New York Review of Books called The Silmarillion "an empty and pompous bore", "not a literary event of any magnitude", and even claimed that the main reason for its "enormous sales" was the "Tolkien cult" created by the popularity of The Hobbit and The Lord of the Rings. The School Library Journal called it "only a stillborn postscript" to Tolkien's earlier works. Peter Conrad of the New Statesman even went so far as to say that "Tolkien can't actually write".
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