The Secret Life Of Walter Mitty
"The Secret Life of Walter Mitty" (1939) is a short story by James Thurber. The most famous of Thurber's stories, it first appeared in The New Yorker on March 18, 1939, and was first collected in his book My World and Welcome to It (Harcourt, Brace and Company, 1942). It has since been reprinted in James Thurber: Writings and Drawings (The Library of America, 1996, ISBN 1-883011-22-1), and is one of the most frequently anthologized short stories in American literature. The story is considered one of Thurber's "acknowledged masterpieces". It was made into a 1947 movie of the same name, with Danny Kaye in the title role, though the movie is very different from the original story.
The name Walter Mitty and the derivative word "Mittyesque" have entered the English language, denoting an ineffectual person who spends more time in heroic daydreams than paying attention to the real world, or more seriously, one who intentionally attempts to mislead or convince others that he is something that he is not. In military circles, this usually refers to people who try to fake an impressive career. The story had an influence on other humorists, notably Mad founder Harvey Kurtzman (who borrowed the story's sound effects), playwright George Axelrod (who employed Mitty-like fantasies in The Seven Year Itch) and animation director Chuck Jones (who created a Mitty-like child character for Warner Bros. cartoons).
Read more about The Secret Life Of Walter Mitty: Plot, Themes, Sources, Wordplay, 1947 Film, Future Film, Stage Adaptations
Famous quotes containing the words secret and/or life:
“It seemed as if the breezes brought him,
It seemed as if the sparrows taught him,
As if by secret sign he knew
Where in far fields the orchids grew.”
—Ralph Waldo Emerson (1803–1882)
“The man Shelley, in very truth, is not entirely sane, and Shelley’s poetry is not entirely sane either. The Shelley of actual life is a vision of beauty and radiance, indeed, but availing nothing, effecting nothing. And in poetry, no less than in life, he is “a beautiful and ineffectual angel, beating in the void his luminous wings in vain.””
—Matthew Arnold (1822–1888)