Production
The film was shot at Bray Studios and Oakley Court, a country house in Berkshire, England, from 21 October 1974, to 19 December 1974. Filming of the laboratory scene and the title character's creation occurred on 30 October 1974.
The film's plot, setting, and style echoes that of the Hammer Horror films, which had their own instantly recognisable style (just as Universal Studios' horror films did), and is reminiscent of the Hammer production of The Revenge of Frankenstein starring Peter Cushing.
The castle is known for a number of Hammer films. A great deal of location shooting took place there. At the time, the manor was not in good condition. Filming took place during autumn, which made conditions harsh. During filming, Susan Sarandon fell ill with pneumonia. In 1997 Oakley Court had its latest renovation and the building is now a luxury hotel.
In the stage productions, actors generally did their own make-up, but for this film the producers chose Pierre La Roche to redesign the make-up for each character (he had previously designed make-up for Mick Jagger). Production stills were taken by rock photographer, Mick Rock who has published a number of books from his work.
Read more about this topic: The Rocky Horror Picture Show
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)