Production
The series was produced for Yorkshire Television from 3 April 1986 to 20 December 1994. It was created by Melvyn Jacobson, with scripts, narration and music by Neil Innes. Yorkshire Television produced the first two series of The Raggy Dolls before awarding the commission to Orchid Productions Limited in 1987. This was the first programme Yorkshire Television commissioned from an independent production company, and Orchid Productions went on to produce over 100 more episodes of the series. The initial animator was Roy Evans, and consequently (vision only) animation director was Mark Mason, before being replaced by Peter Hale from third series onwards.
The Raggy Dolls holds the record for the longest running children's series of its genre. In celebration of the 50th episode, the producers of the series enlisted self-professed fan, ex-Beatle George Harrison, to perform the opening sequence. Harrison agreed and the introduction was used for the remaining episodes.
Read more about this topic: The Raggy Dolls
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)