Influence
It is not known whether or not Wilde himself subscribed to the theory presented in the story. His lover Lord Alfred Douglas states that he did believe it. Samuel Butler accepted some aspects of it, regarding the name 'Will Hughes' as a "plausible conjecture".
Wilde's story may have been an influence on John Masefield, whose book Shakespeare and Spiritual Life (1924) suggests that the Fair Youth was an actor who was delicate and small enough to play parts such as the boy-servant Moth in Love's Labours Lost and the sprite Ariel in The Tempest. He believed that he may even have been a kind of symbol to Shakespeare for his own creative genius.
In James Joyce's novel Ulysses a character called Mr. Best says that Wilde's theory is "the most brilliant" of all identifications. André Gide also expressed approval, stating that the theory was "the only, not merely plausible, but possible, interpretation".
In G.S. Viereck's novel My First Two Thousand Years, the protagonist, the Wandering Jew, watches a performance given by Willie Hughes, who is "positively enchanting as Juliet". He learns that Shakespeare had dedicated his sonnets to the boy-actor, but when he meets him he discovers that the boy is actually a girl in disguise. Shakespeare knew this, and the girl blushingly admits that this is why he called her "the master-mistress of my passion".
Read more about this topic: The Portrait Of Mr. W. H.
Famous quotes containing the word influence:
“If I had influence with the good fairy who is supposed to preside over the christening of all children, I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life.”
—Rachel Carson (20th century)
“The question of place and climate is most closely related to the question of nutrition. Nobody is free to live everywhere; and whoever has to solve great problems that challenge all his strength actually has a very restricted choice in this matter. The influence of climate on our metabolism, its retardation, its acceleration, goes so far that a mistaken choice of place and climate can not only estrange a man from his task but can actually keep it from him: he never gets to see it.”
—Friedrich Nietzsche (1844–1900)
“Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.”
—Percy Bysshe Shelley (1792–1822)