Film Style
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Renowned for his ability to work to tight budgets and schedules (after his experiences of working in the Mexican film industry), Buñuel was more concerned with constructing ideas than complex sets or Expressionistic cinematic style. One example of his economic style is the scene where he receives a telephone call from his dead sister; we don’t have to see the corpse reach out from the coffin – it is easier to show the telephone (a cheap prop), and allow our imaginations to construct the scenario.
It is also interesting to note the lack of a musical score in the soundtrack, subtle sound effects (for which Buñuel is credited) are used to create atmosphere. One example of this is the riot at the end of the film, suggested only by the sound effects. Contrast this with Bernardo Bertolucci's reconstruction of the 1968 Parisian riots in The Dreamers (2003); expensive to stage, involving the use of a large cast and crew and closing down Parisian streets.
Read more about this topic: The Phantom Of Liberty
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