Production
The fifth season of the show was produced by Reveille Productions and Deedle-Dee Productions, both in association with Universal Media Studios starting from late July 2008. The show is based upon the British series created by Ricky Gervais and Stephen Merchant, both of whom are executive producers on both the US and UK versions. The Office is produced by Greg Daniels, who is also an executive producer. Daniels would have a limited role in this season, not writing an episode, as he was busy writing his new show, Parks and Recreation which he co-created with Office writer/producer Michael Schur, who left the writing staff of The Office to focus on the new show. Returning writers from the previous season include Mindy Kaling, B. J. Novak, Paul Lieberstein, Lee Eisenberg, Gene Stupnitsky, Lester Lewis, Brent Forrester, Justin Spitzer, and Jennifer Celotta. This season saw many new additions to the writing staff, including Ryan Koh, Aaron Shure, Charlie Grandy, Anthony Q. Farrell, Warren Lieberstein, and Halsted Sullivan. Lieberstein and Celotta were promoted to executive producers, with Lieberstein becoming the new showrunner, to take over from Daniels. Kaling, Novak, Eisenberg and Stupnitsky were co-executive producers; Lewis and Forrester were consulting producers; and Spitzer and Grandy were producers.
This season featured 28 episodes directed by 16 directors. Paul Feig, Jeffrey Blitz, Ken Kwapis, and Randall Einhorn each directed several episodes during the season, while Greg Daniels, David Rogers, Stephen Merchant, Jason Reitman, Dean Holland, Asaad Kelada, Ken Whittingham, and Paul Lieberstein directed an episode each. While writers Jennifer Celotta, Gene Stupnitsky and Brent Forrester each made their director debut, with series star Steve Carell directing his first episode.
Read more about this topic: The Office (U.S. Season 5)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)