Characters
- Primary characters
- William of Baskerville—main protagonist, a Franciscan friar
- Adso of Melk—narrator, Benedictine novice accompanying William
- At the monastery
- Abo of Fossanova—the abbot of the Benedictine monastery, the sixth to die
- Severinus of Sankt Wendel—herbalist who helps William, the fourth to die
- Malachi of Hildesheim—librarian, the fifth to die
- Berengar of Arundel—assistant librarian, in love with Adelmo, the third to die
- Adelmo of Otranto—illuminator, novice, the first to die
- Venantius of Salvemec—translator of manuscripts, the second to die
- Benno of Uppsala—student of rhetoric
- Alinardo of Grottaferrata—eldest monk
- Jorge of Burgos—elderly blind monk, former librarian, the seventh to die
- Remigio of Varagine—cellarer
- Salvatore of Montferrat—monk, associate of Remigio
- Nicholas of Morimondo—glazier
- Aymaro of Alessandria—gossipy, sneering monk
- Pacificus of Tivoli
- Peter of Sant’Albano
- Waldo of Hereford
- Magnus of Iona
- Patrick of Clonmacnois
- Rabano of Toledo
- Outsiders
- Ubertino of Casale—Franciscan friar in exile, friend of William
- Michael of Cesena—leader of Spiritual Franciscans
- Bernardo Gui—Inquisitor
- Bertrand del Poggetto—Cardinal and leader of the Papal legation
- Peasant girl from the village below the monastery
Read more about this topic: The Name Of The Rose
Famous quotes containing the word characters:
“White Pond and Walden are great crystals on the surface of the earth, Lakes of Light.... They are too pure to have a market value; they contain no muck. How much more beautiful than our lives, how much more transparent than our characters are they! We never learned meanness of them.”
—Henry David Thoreau (1817–1862)
“Trial. A formal inquiry designed to prove and put upon record the blameless characters of judges, advocates and jurors.”
—Ambrose Bierce (1842–1914)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)