Production
The film was directed by John Mackenzie and produced for £930,000 by Barry Hanson from a script by Barrie Keeffe, with a soundtrack by the composer Francis Monkman; it was screened at the Cannes, Edinburgh and London Film Festivals in 1980.
The original story had been written by Keeffe for Hanson when the latter worked for Euston Films, a subsidiary of Thames Television. Euston did not make the movie but Hanson bought the rights from Euston for his own company Calendar Films. Although Hanson designed the film for the cinema and all contracts were negotiated under a movie, not a TV agreement, the movie was eventually financed by Black Lion, a subsidiary of Lew Grade's ITC Entertainment for transmission via Grade's Associated TeleVision (ATV) on the ITV Network. The film was commissioned by Charles Denton, at the time both Programme Controller of ATV and Managing Director of Black Lion. After Grade saw the finished film, he allegedly objected to what he saw as the glorification of the IRA. The film was scheduled for transmission with heavy cuts on 24 March 1981.
In late 1980, Hanson attempted to buy the film back from ITC to prevent ITV screening the film with these cuts which he said would be "execrable". and added up to "about 75 minutes of film that was literal nonsense". It was also reported at the same time that Bob Hoskins was suing both Black Lion and Calendar Films to prevent their planned release of a US TV version in which Hoskins' voice would be dubbed by English Midlands actor David Daker.
Before the planned ITV transmission the rights to the film were bought from ITC by George Harrison's company, Handmade Films, for around £200,000 less than the production costs. They gave the movie a cinema release.
Read more about this topic: The Long Good Friday
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