Development
The Little Shop of Horrors was developed when director Roger Corman was given temporary access to sets that had been left standing from A Bucket of Blood. Corman decided to use the sets in a film made in the last two days before the sets were torn down.
Corman initially planned to develop a story involving a private investigator. In the initial version of the story, the character that eventually became Audrey would have been referred to as "Oriole Plove". Actress Nancy Kulp was a leading candidate for the part. The characters that eventually became Seymour and Winifred Krelboyne were named "Irish Eye" and "Iris Eye." Actor Mel Welles was scheduled to play a character named "Draco Cardala", Jonathan Haze was scheduled to play "Archie Aroma," and Jack Nicholson would have played a character named "Jocko".
Charles B. Griffith wanted to write a horror-themed comedy film. According to Mel Welles, Corman was not impressed by the box office performance of A Bucket of Blood, and had to be persuaded to direct another comedy. The first screenplay Griffith wrote was Cardula, a Dracula-themed story involving a vampire music critic. After Corman rejected the idea, Griffith wrote a screenplay titled Gluttony, in which the protagonist was "a salad chef in a restaurant who would wind up cooking customers and stuff like that." According to Griffith, Corman was unable to make the film because of the Production Code.
Griffith states that Corman agreed to make a film about a man-eating plant, after the two had become intoxicated. The screenplay was written under the title The Passionate People Eater. Welles stated, "The reason that The Little Shop of Horrors worked is because it was a love project. It was our love project."
Read more about this topic: The Little Shop Of Horrors
Famous quotes containing the word development:
“Other nations have tried to check ... the fulfillment of our manifest destiny to overspread the continent allotted by Providence for the free development of our yearly multiplying millions.”
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“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
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