The James Bond Dossier - History

History

Written at the Bond-mania’s zenith in the 1960s, The James Bond Dossier is the first, thorough, albeit tongue-in-cheek, literary analysis of Ian Fleming’s strengths and weaknesses as a thriller-writer. As a mainstream novelist, Amis respected the Bond novels, especially their commercial success, believing them ‘to be just as complex and to have just as much in them as more ambitious kinds of fiction’. That was a controversial approach in the 1960s, because from early on, since the mid-1950s, the James Bond novels were criticised by some detractors for their violence, male chauvinism, sexual promiscuity, racism, and anti-Communism.

Despite his intellectual respect for the Fleming canon, Amis’s way of writing about it, according to his biographer Zachary Leader, ‘. . . partly guys academic procedures and pretensions by applying them to low-cultural objects’ and, as such, is deliberately provocative. In that context, the Dossier can ‘. . . look like a cheeky two-fingered salute to the academic world, a farewell raspberry blown at all things pedantically donnish, in a manner Lucky Jim would surely have approved. For to Ian Fleming’s œuvre Amis brought the anatomising and categorising zeal he never had devoted and never would devote to more elevated works of literature’.