The Happy Land

The Happy Land is a play with music written in 1873 by W. S. Gilbert (under the pseudonym F. Latour Tomline) and Gilbert Arthur à Beckett. The musical play burlesques Gilbert's earlier play, The Wicked World. The blank verse piece opened at the Royal Court Theatre on 3 March 1873 and enjoyed a highly successful run, soon touring, and then being immediately revived at the same theatre in the autumn of 1873.

The play created a scandal by breaking regulations against the portrayal of public characters, parodying William Ewart Gladstone, Robert Lowe, and Acton Smee Ayrton, respectively the Prime Minister, Chancellor of the Exchequer, and First Commissioner of Works. Three characters were made up and costumed to look like the caricatures of Gladstone, Lowe and Ayrton that had appeared in Vanity Fair. The scandal was great enough to be included in the Annual Register's "Chronicle of Remarkable Occurrences." The play was censored by Britain's Lord Chamberlain, which ironically caused it to become unusually popular.

The Happy Land also anticipated some of the themes in the political satire seen in the Gilbert and Sullivan operas, including unqualified people in positions of authority, like Sir Joseph in H.M.S. Pinafore, selecting government by "competitive examination" as in Iolanthe, and especially the importation of English exemplars to "improve" a naive civilisation, as in Utopia, Limited.

Read more about The Happy Land:  Background, Roles and Original Cast, Synopsis, Musical Numbers, Antecedents and Development of Gilbertian Satire

Famous quotes containing the words happy and/or land:

    It is only when we are very happy that we can bear to gaze merrily upon the vast and limitless expanse of water, rolling on and on with such persistent, irritating monotony, to the accompaniment of our thoughts, whether grave or gay. When they are gay, the waves echo their gaiety; but when they are sad, then every breaker, as it rolls, seems to bring additional sadness, and to speak to us of hopelessness and of the pettiness of all our joys.
    Emmuska, Baroness Orczy (1865–1947)

    On board ship there are many sources of joy of which the land knows nothing. You may flirt and dance at sixty; and if you are awkward in the turn of a valse, you may put it down to the motion of the ship. You need wear no gloves, and may drink your soda-and-brandy without being ashamed of it.
    Anthony Trollope (1815–1882)