Literary Significance & Criticism
The author, Muhammad Aladdin (b. 1979). He has published short comic books for teenagers and a collection of short stories (The Other Bank 2003), while excerpts from his first, unpublished, novel The Twenty-Second Day appeared in Akhbar al-Adab in 2004, his first unpublished—as well—novel Al Dawa'er winning the Cultural Palaces prize 2004. The Gospel according to Adam breaks the conventional format of the novel, consisting as it does of a single 60-page-long paragraph that, like all good streams of consciousness, sweeps writer and reader on to no pre-ordained or predictable destination. As a reviewer for Al-Ahram’s literary page ( May 10, 2006) puts it, The Gospel according to Adam reflects “a social reality that has lost all certainties.” In keeping with other novels (such as Ahmed Alaidy's Being Abbas el Abd) of an emerging new school of writing in Cairo, the work is the funny and taboo-breaking product of a young writer without preconceptions of what makes a novel or how one should be written and who has been hailed by writers such as Baha Tahir and Sonallah Ibrahim as among the best of a promising new crop.
In his book, "The Arab Novel and the Quest for Renovation" published by Dubi Althaqafia Magazine in May 2011, the famous Moroccan writer and critic Mohammed Berrada sites it as one of 5 novels has renovated the Arab novel.
The Egyptian writer Ibraim Farghali wrote about it in the famous Lebanese newspaper An-Nahar that The Gospel According to Adam is "An experimental and substantial jump in narration style in the modern Egyptian novels".
Read more about this topic: The Gospel According To Adam
Famous quotes containing the words literary, significance and/or criticism:
“... the Ovarian Theory of Literature, or, rather, its complement, the Testicular Theory. A recent camp follower ... of this explicit theory is ... Norman Mailer, who has attributed his own gift, and the literary gift in general, solely and directly to the possession of a specific pair of organs. One writes with these organs, Mailer has said ... and I have always wondered with what shade of ink he manages to do it.”
—Cynthia Ozick (b. 1928)
“I am not afraid that I shall exaggerate the value and significance of life, but that I shall not be up to the occasion which it is.”
—Henry David Thoreau (1817–1862)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)