Literary Significance & Criticism
The author, Muhammad Aladdin (b. 1979). He has published short comic books for teenagers and a collection of short stories (The Other Bank 2003), while excerpts from his first, unpublished, novel The Twenty-Second Day appeared in Akhbar al-Adab in 2004, his first unpublished—as well—novel Al Dawa'er winning the Cultural Palaces prize 2004. The Gospel according to Adam breaks the conventional format of the novel, consisting as it does of a single 60-page-long paragraph that, like all good streams of consciousness, sweeps writer and reader on to no pre-ordained or predictable destination. As a reviewer for Al-Ahram’s literary page ( May 10, 2006) puts it, The Gospel according to Adam reflects “a social reality that has lost all certainties.” In keeping with other novels (such as Ahmed Alaidy's Being Abbas el Abd) of an emerging new school of writing in Cairo, the work is the funny and taboo-breaking product of a young writer without preconceptions of what makes a novel or how one should be written and who has been hailed by writers such as Baha Tahir and Sonallah Ibrahim as among the best of a promising new crop.
In his book, "The Arab Novel and the Quest for Renovation" published by Dubi Althaqafia Magazine in May 2011, the famous Moroccan writer and critic Mohammed Berrada sites it as one of 5 novels has renovated the Arab novel.
The Egyptian writer Ibraim Farghali wrote about it in the famous Lebanese newspaper An-Nahar that The Gospel According to Adam is "An experimental and substantial jump in narration style in the modern Egyptian novels".
Read more about this topic: The Gospel According To Adam
Famous quotes containing the words literary, significance and/or criticism:
“Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.”
—Gustave Flaubert (1821–1880)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)
“Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!”
—Laurence Sterne (1713–1768)