Literary Significance & Criticism
(See Ellery Queen.) The character of Ellery Queen was probably suggested by the novels featuring detective Philo Vance by S.S. Van Dine, which were very popular at the time. This novel was the fifth in a long series of novels featuring Ellery Queen, the first nine containing a nationality in the title. It contains some similarity to the subsequent The Three Coffins by John Dickson Carr (1935) in that both are concerned with three brothers from the same general area of the world who are involved in a murder plot based on long-ago events.
The introduction to this novel contained a detail which is now not considered part of the Ellery Queen canon. The introduction is written as by the anonymous "J.J. McC.", a friend of the Queens. Other details of the lives of the fictional Queen family contained in earlier introductions have now disappeared and are never mentioned again; the introductory device of "J.J. McC." lasts only through the tenth novel, Halfway House, then vanishes (though J.J. appears onstage in Face to Face in 1967).
This novel is the first to feature Ellery Queen investigating a murder alone, outside New York City, and without the assistance of his father, Inspector Richard Queen of the Homicide Squad.
The novel, and the other "nationality" mysteries, had the unusual feature of a "Challenge to the Reader" just before the ending is revealed—the novel breaks the fourth wall and speaks directly to the reader. "It has been my custom to challenge the reader's wits at such point in my novels at which the reader is in possession of all facts necessary to a correct solution of the crime or crimes. The Egyptian Cross Mystery is no exception: by the exercise of strict logic and deductions from given data, you should now be able, not merely to guess, but to prove the identity of the culprit."
Read more about this topic: The Egyptian Cross Mystery
Famous quotes containing the words literary, significance and/or criticism:
“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”
—Clive James (b. 1939)
“Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)