Decline
In the years after the Festival of Empire the building fell into disrepair, as the huge debt and maintenance costs became unsustainable, and in 1911 bankruptcy was declared. In 1913 the Earl of Plymouth bought it, to save it from developers. A public subscription susequently bought it from the Earl for the nation.
During the First World War, it was used as a naval training establishment under the name of HMS Victory VI, informally known as HMS Crystal Palace. More than 125,000 men from the Royal Naval Division, Royal Naval Volunteer Reserve and Royal Naval Air Service were trained for war at Victory VI. At the cessation of hostilities it was re-opened as the first Imperial War Museum, but traffic remained light.
In the 1920s, a board of trustees was set up under the guidance of manager Sir Henry Buckland. He is said to have been a firm but fair man, who had a great love for the Crystal Palace, and soon set about restoring the deteriorating building. The restoration not only brought visitors back, but also meant that the Palace started to make a small profit once more. Buckland and his staff also worked on improving the fountains and gardens, including the Thursday evening displays of fireworks by Brocks. On 15–20 October 1934 the Pageant of Labour was held at the Crystal Palace.
Read more about this topic: The Crystal Palace
Famous quotes containing the word decline:
“Our achievements speak for themselves. What we have to keep track of are our failures, discouragements, and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end result of a clean forward thrust, and our present difficulties as signs of decline and decay.”
—Eric Hoffer (1902–1983)
“We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.”
—Jean De La Bruyère (1645–1696)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)