The Colonel's Bequest - Characters

Characters

As with classic murder stories, the plot revolves around characters, most of which are potential victims (and murderers). Most of the game characters are named after prominent figures of the time, such as Rudolph Valentino, W. C. Fields, Gloria Swanson, Clara Bow, and Clarence Darrow. Most are heavily based on well-used archetypes.

  • Laura Bow - Player character, journalism student and daughter of the detective John Bow.
  • Lillian Prune - Laura's friend from Tulane. Her father died when she was young. She is also Ethel's daughter.
  • Colonel Henri Dijon - A reclusive, rich, eccentric old man, who fought in the Spanish-American War and lives alone on an antebellum sugar plantation island.
  • Ethel Prune - The alcoholic mother of Lillian and younger sister of the Colonel.
  • Gertrude Dijon - The snobbish widow of the Colonel's brother, and the mother of Gloria and Rudy.
  • Gloria Swansong - The daughter of Gertie and the sister of Rudy. She was a Hollywood actress, who'd gotten into some trouble, and was suffering from some sort of disease.
  • Rudolph Dijon - The son of Gertie, the brother of Gloria. He's a slick womanizer and gambler.
  • Clarence Sparrow - Henri's sneaky lawyer and a previous lover of Gloria.
  • Dr. Wilbur C. Feels - The Colonel's long-time and questionable personal physician.
  • Fifi - The sexy French maid that lives with and "serves" the Colonel (and secretly also Jeeves).
  • Jeeves - Butler in the Colonel's house, who usually remains silent.
  • Celie - Henri's cook from New Orleans, whose parents were slaves in the plantation. She is the only character who will befriend Laura.

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Famous quotes containing the word characters:

    There are as many characters in men
    As there are shapes in nature.
    Ovid (Publius Ovidius Naso)

    White Pond and Walden are great crystals on the surface of the earth, Lakes of Light.... They are too pure to have a market value; they contain no muck. How much more beautiful than our lives, how much more transparent than our characters are they! We never learned meanness of them.
    Henry David Thoreau (1817–1862)

    It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.
    Franz Grillparzer (1791–1872)