The Bounty - Differences From Earlier Versions

Differences From Earlier Versions

The first version, an Australian silent film, The Mutiny of the Bounty was made in 1916. The second, In the Wake of the Bounty (1933) was another Australian production, starring Errol Flynn in his film debut.

The third and most famous version, Mutiny on the Bounty (1935), starred Clark Gable, Charles Laughton, and Franchot Tone. The fourth, a remake of the third film, released in 1962, starred Marlon Brando, Trevor Howard, and Richard Harris.

This version is generally regarded as a more revisionist as well as historically accurate depiction of the mutiny than the two earlier film versions. According to director Donaldson,

"The major difference between our film and the other versions is that none of the others pointed out that Bligh and Christian were friends. They'd made voyages together before they sailed on the Bounty. And while they were on the Bounty, Bligh demoted another officer and promoted Christian, who was at that stage nothing but a midshipman, and made him second in command. What interested me was to explore how their relationship deteriorated from that point to where Christian leads a mutiny against Bligh."

Unlike earlier versions, this film did not portray Bligh as a villainous character. According to Gibson, "It was a kind of fresh look at Captain Bligh, and I think of all the renditions of who Bligh was, his was probably the closest. His Bligh was stubborn and didn't suffer fools, but he was brilliant and just had a lot of bad luck." The Bounty also paints a far less heroic portrait of Christian. In Gibson’s description, “Fletcher was just a lad of twenty-two and he behaved like one. The first time he decided to test his horns and fight for the herd, it was a mistake. He shouldn't have done it.” Gibson later expressed the opinion that film did not go far enough in correcting the historical record.

"I think the main problem with that film was that it tried to be a fresh look at the dynamic of the mutiny situation, but didn't go far enough. In the old version, Captain Bligh was the bad guy and Fletcher Christian was the good guy. But really Fletcher Christian was a social climber and an opportunist. They should have made him the bad guy, which indeed he was. He ended up setting all these people adrift to die, without any real justification. Maybe he'd gone island crazy. They should have painted it that way. But they wanted to exonerate Captain Bligh while still having the dynamic where the guy was mutinying for the good of the crew. It didn't quite work."

The film also portrays the sailors exploiting the islanders. Gibson said, “It was a complete culture shock and it was unbelievable to them. It was paradise in terms of personal freedoms - freedoms that shouldn't have been taken advantage of. They exploited the people, fooled them, and didn't tell them the whole truth”. Gibson chose to suddenly erupt in violent emotion during the mutiny scene because eyewitness accounts had described Christian as 'extremely agitated' and 'sweating and crying'.

Read more about this topic:  The Bounty

Famous quotes containing the words differences, earlier and/or versions:

    Quintilian [educational writer in Rome about A.D. 100] hoped that teachers would be sensitive to individual differences of temperament and ability. . . . Beating, he thought, was usually unnecessary. A teacher who had made the effort to understand his pupil’s individual needs and character could probably dispense with it: “I will content myself with saying that children are helpless and easily victimized, and that therefore no one should be given unlimited power over them.”
    C. John Sommerville (20th century)

    I love art, and I love history, but it is living art and living history that I love.... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?
    William Morris (1834–1896)

    The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.
    Stephen Bayley (b. 1951)