Recording
Most of the album's recording sessions took place in Hawaii at Avex Honolulu Studio, in an effort to avoid leakage. West's protégé Mr Hudson explained to The Times that he "won't get bothered there" compared to a major city such as New York or Los Angeles. Sessions for the album took place during 2008 to 2009 at Avex Honolulu Studio and several other recording studios, including Germano Studios, Oven Studios, and Roc The Mic in New York City, Kingdom Studios and Lava Studios in Cleveland, Midnight Blue Studios and South Beach Studios in Miami, The Holy Chateau in Perth, Australia, and Westlake Studio in Los Angeles.
Jay-Z told Rolling Stone his method of selecting producers: "If Timbaland makes ten great tracks then he produces the album, if Kanye West makes ten great tracks then he produces the album; if he makes three, I'll take three. I let the music dictate the direction." However, the final track listing reveals, that West produced the majority of tracks on the album, and three done by Timbaland. West confirmed two songs, "A Star Is Born" and "Young Forever", during an appearance on The Wake Up Show in February 2009. Mr Hudson, who is the featured artist on the latter, described it as a flip on the Alphaville record of a similar name. During a joint interview with Hudson, West confirmed that the pop artist would be featured on three songs. Pharrell stated that he emailed "So Ambitious" to Jay-Z the day he was mastering the album. He loved the track so much that he put off the mastering.
Read more about this topic: The Blueprint 3
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)