Style
The novel is written from a first-person limited point of view and the narrator is Miles Coverdale. Coverdale's narrative style is erratic and dreamlike, bringing a strange form of syntax to the novel that is more Coverdale's than Hawthorne's. In a final chapter added after the original manuscript was completed but before publishing, Coverdale breaks the fourth wall and reveals that the writing takes place significantly after leaving Blithedale. He reveals the fates of the other characters from a still limited viewpoint.
The title identifies the novel as a romance, probably of the dark romantic type as Hawthorne (along with Edgar Allan Poe and Herman Melville) was considered a dark romantic writer. It displays the characteristic symbolism of Satan, magic and the supernatural frequently used in dark romantic literature. Themes of sin, guilt, and the betterment of humanity also appear in the novel through symbols like the veil and Brook Farm itself. These too are indicators of the book's Transcendentalist background and romantic nature.
Read more about this topic: The Blithedale Romance
Famous quotes containing the word style:
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.”
—Ishmael Reed (b. 1938)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)