Style
The novel is written from a first-person limited point of view and the narrator is Miles Coverdale. Coverdale's narrative style is erratic and dreamlike, bringing a strange form of syntax to the novel that is more Coverdale's than Hawthorne's. In a final chapter added after the original manuscript was completed but before publishing, Coverdale breaks the fourth wall and reveals that the writing takes place significantly after leaving Blithedale. He reveals the fates of the other characters from a still limited viewpoint.
The title identifies the novel as a romance, probably of the dark romantic type as Hawthorne (along with Edgar Allan Poe and Herman Melville) was considered a dark romantic writer. It displays the characteristic symbolism of Satan, magic and the supernatural frequently used in dark romantic literature. Themes of sin, guilt, and the betterment of humanity also appear in the novel through symbols like the veil and Brook Farm itself. These too are indicators of the book's Transcendentalist background and romantic nature.
Read more about this topic: The Blithedale Romance
Famous quotes containing the word style:
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)