The Beatles' Recording Technology - Classical Musicians On Popular Albums

Classical Musicians On Popular Albums

Although strings were commonly used on pop recordings, George Martin's suggestion that a string quartet be used for the recording of "Yesterday" marked a major departure for the Beatles. McCartney recalled playing it to the other Beatles and Ringo saying it did not make sense to have drums on the track and John and George saying there was no point having extra guitars. George Martin suggested a solo acoustic guitar and a string quartet.

As the Beatles musical work developed, particularly in the studio, classical instruments were increasingly added to tracks. Lennon recalled the two way education; the Beatles and Martin learning from each other - George Martin asking if they'd heard an oboe and the Beatles saying, "No, which one's that one?"

Part of the influence of the Beatles was the bringing closer together of the classical and pop "worlds"; the mix of classical strings with electric guitars and drums used on "Strawberry Fields Forever" led Roy Wood to co-found the Electric Light Orchestra to continue where "Strawberry Fields" left off.

Geoff Emerick, documented the change in attitude to pop, as opposed to classical music during the Beatles career. In EMI at the start of the 1960s, balance engineers were either "classical" or "pop". Similarly, Paul McCartney recalled a large "Pop/Classical" switch on the mixing console. Emerick also noted a tension between the classical and pop people - even eating separately in the canteen. The tension was also increased as it was the money from pop sales that paid for the classical sessions.

Emerick was the engineer on "A Day in the Life", which used a 40 piece orchestra and recalled "dismay" amongst the classical musicians when they were told to improvise between the lowest and highest notes of their instruments (whilst wearing rubber noses). However, Emerick also saw a change in attitude at the end of the recording when everyone present (including the orchestra) broke into spontaneous applause. Emerick recalled the evening as the "passing of the torch" between the old attitudes to pop music and the new.