Ayutthaya Period
The surviving art from this period was primarily executed in stone, characterised by juxtaposed rows of Buddha figures. In the middle period, Sukhothai influence dominated, with large bronze or brick and stucco Buddha images, as well as decorations of gold leaf in free-form designs on a lacquer background. The late period was more elaborate, with Buddha images in royal attire, set on decorative bases.
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“The Good of man is the active exercise of his soul’s faculties in conformity with excellence or virtue.... Moreover this activity must occupy a complete lifetime; for one swallow does not make spring, nor does one fine day; and similarly one day or a brief period of happiness does not make a man supremely blessed and happy.”
—Aristotle (384–322 B.C.)