History
A definition of a terrestrial time standard was adopted by the International Astronomical Union (IAU) in 1976 at its XVI General Assembly, and later named Terrestrial Dynamical Time (TDT). It was the counterpart to Barycentric Dynamical Time (TDB), which was a time standard for Solar system ephemerides, to be based on a dynamical time scale. Both of these time standards turned out to be imperfectly defined. Doubts were also expressed about the meaning of 'dynamical' in the name TDT.
In 1991, in Recommendation IV of the XXI General Assembly, the IAU redefined TDT, also renaming it "Terrestrial Time". TT was formally defined in terms of Geocentric Coordinate Time (TCG), defined by the IAU on the same occasion. TT was defined to be a linear scaling of TCG, such that the unit of TT is the SI second on the geoid (Earth surface at mean sea level). This left the exact ratio between TT time and TCG time as something to be determined by experiment. Experimental determination of the gravitational potential at the geoid surface is a task in physical geodesy.
In 2000, the IAU very slightly altered the definition of TT by adopting an exact value for the ratio between TT and TCG time, as 1 − 6.969290134 × 10−10. (As measured on the geoid surface, the rate of TCG is very slightly faster than that of TT, see below, Relativistic relationships of TT.)
Read more about this topic: Terrestrial Time
Famous quotes containing the word history:
“False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
sifting her own life out from the shards she’s piecing,
asking the clay all questions but her own.”
—Adrienne Rich (b. 1929)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)